Theresienstadt 1944: This is where Pavel Haas composes the Four Songs on Chinese Poetry, which is a surreal song cycle on the unfulfilled longing for a return home – and directly refers to the Suita op. 17. It remains the composer’s last surviving piece. Here, under even more menacing circumstances, does he follow these ideas that have remained incomplete five years ago through? → continue reading “Pavel Haas: Songs from Theresienstadt (3/3)”
Tag: Pavel
Pavel Haas: My Yearning Keeps Me Awake (1/3)
In case of the Suita op. 17, Pavel Haas leaves us with one us the most puzzling pieces in oboe literature. The more answers it gives, the more questions are posed by it. What remains for us is nothing more than a fragment – yet, just the way Haas revisits the Suita in his last recorded oeuvre proves, which key position it must have had for him. → continue reading “Pavel Haas: My Yearning Keeps Me Awake (1/3)”